FOOTNOTES FOR
CHAPTERS FIVE AND SIX
139. Stuart, David: "Testimonios sobre
la guerra durante el Clasico
Maya,"(Testimony
About Warfare During the Classic Maya
Period); in Arqueologia Mexicana, vol. VI, nu. 32,
July-August
1998. pps.6-13. quote p. 8.
140. Paz, Octavio: El
laberinto de la soledad y otras obras(The Labyrinth of
Solitude and Other
Works);
From
"Postscript" pps. 249-253.
141. "Testimonios sobre
la guerra durante el Classico Maya,"; p. 12
142.
Wagner, Sally R.: "The Iroquois Influence on Women's Rights,"
in Akwe:kon
Journal
(Northeast Indian Quarterly); vol IX, nu. 1, Spring
1992. pps. 4-15.
143. Andrews, Anthony:
"El comercio maritimo de los mayas del
posclasico,"Maritime Commerce Among the Post-Classic
Maya) in Arqueologia Mexicana, Navegacion
Maya; vol.VI,
nu.33, 1998.
pps. 16-23. quote p. 19.
144.
From the mid 19th century onwards, the Maya were romanticized in
both English and Spanish prose, as part
of the craze for "lost utopias."
145. Nuestros Paisanos Los
Indios; pps. 170.
146.
Wilford, John Noble: "Live By the Pen, Die By the Sword," in The
Times, Science Supplement;
pps.
F1-F2. quote p. F2.
147. Velazquez, Adriana: "El juego de
pelota de Chichen Itza,"(The Sacred Ball-
Game
of
vol.
VIII, nu. 44, July-August 2000.
pps.
46-47. quote p. 46.
148.
Johansson, Patrick K.: "La Fete in Amerique Latin,"(The
Festival in Latin
Am
Brasilien; nu. 73, 1999. pps.
11-25. quote 17.
101
149. Escalada, Xavier: Guadelupe:
Arte y Esplendor(Virgin of Guadelupe: Art
and Splendour); Enciclopedia
Guadalupana, Mexico City,
1991.
(including Nahuatl-Spanish text from 16th century:
"Nican Mopohua"). p.
17.
150.
Even today in Central Am
pompousness and conceit; in the Mexican
valley, on the other hand,
they represent pride. The Aztec-Maya
divide remains.
151. "El juego de
pelota en Chichen Itza,"; p. 46.
152.
Aveni, Anthony F.: "Venus and the Maya," in Am
May-June
1979. pps. 274-285. quote p. 284.
153.
Malinche's Conquest;
pps. 151-152.
154.
Malinche's Conquest;
p. 152.
155. Ruiz, Don Miguel: Los
cuatro acuerdos-un libro de la sabiduria tolteca(Four
Paths-A
Book of Toltec Wisdom); (translated by L.
Hernandez), Amber Allen Publishing,
156. On a research visit to the site of
Cacaxtla, Tlaxcalla Province,
Maya-Tlaxcallan cultural interchange,
breaking the stereotype of
Mesoam
157. De Vos, Jan: "Resena de los levantamientos-el mundo maya
rebelde,"(Summary
of the Uprisings-The Rebellious Maya
World);
in Arqueologia Mexicana, vol. VI, nu. 32,
July-August
1998. p. 68.
158.
Krausz, Enrique: "El profeta de los
Indios"(The Prophet of the Indians);
in Letras Libres, Year I,
nu. 1, January 1999. pps.10-19.
159. Malinche's Conquest; pps.
56-57.
160. Graulich, Michel: " El Rey
Solar en
Central Am
pps.
14-21. quote p. 17.
102
161.
Similar folk beliefs permeate the works of contemporary
writers, re:
Nolla,
Olga: El castillo de la memoria (The Castle of Memory); Alfaguara
Publishers,
extensively with the influence of
popular folklore, both Spanish and
Amerindian, on colonial life in the
162.
Friedel, David & Schele, Linda & Parker, Joyce:
El Cosmos Maya:
3,000 anos por la senda de los chamanes (Maya
Cosmos: 3,000 Years on the Shaman's
Path); (translated by J. Santana),
Fonda de Cultura Economica, Mexico
City, 1999. p. 50.
163. Florescario, Enrique:
" El texto maya mas antiguo sobre la creacion del
cosmos" (The Most Ancient Maya Text About the
Creation of the
Cosmos); in Saber Ver, Epoch 2,
Year I, nu. 2, July-August 1999. pps. 36-39.
quote p. 39.
164.
Coe, Michael: Breaking the Maya Code; p. 100.
165. Sullivan, John:
"Un dialogo sobre la congregacion en Tlaxcalla"(Notes
on the
Theme of Community in
Colonial
Latin Am
June
1999. pps. 35-60. quote pps. 43-44.
166.
Kelemen, Pal: Medieval Am
Kelemen
observes:
" The
Maya were the only people of Medieval Am
who
developed a distinct artistic idiom for each material.
In their best works, they made full use
of the monumental
possibilities in stone, the modulation inherent in clay, the
shapes
slumbering in a raw piece of cloudy jade...."
167. This
may be observed on the Internet site of the Maya World Studies
Center, Merida,
Yucatan. "Lintel 16," a
masterpiece of Maya carving,
appears in detail on:
www.maya calendar.com
103
168.
Inomata, Takeshi: "The Power and the Ideology of Artistic
Creation:
Elite Craft Specialists in Classic Maya Society"; in
Current
Anthropology; vol. 42, nu. 3, June 2001.
pps. 321-349. quote p. 332.
169. Merino, Albert: Los
simbolos percolombinos
(Pre-Columbian Symbols);
Editorial
Obelisco, Barcelona, 1969. pps. 79-80.
170. Espinosa, Gregory
Corzo: Chiapas, o la geografia mitica (Chiapas:
Mythical Geography); Editores Leon
de la Rosa,
171.
Carrasco, David: Quetzalcoatl and the Irony of Empire; University
of
172. El cosmos maya: 3,000
anos por la senda de los chamanes;
p. 43.
173.
Deyermond, Alan: Epic Poetry and the Clergy-Studies on the
“Mocedades de Rodrigo"; Tamesis
Publishers,
104